Following the lack of women composers in these concerts, whose goal is neither more nor less than that of professing equality between men and women at the time of writing on a blank score, the Association of Women in Music, with its President Mercedes Zavala to the head, sent an open letter to Zapatero on this issue.
It ensures that works are used by male composers "instead of (interpreted) to the contemporary composers, songwriters are obvious to the current and maximum generated confusion about the concept of musical authorship."
But the issue goes much further, because the artists that will be ordered to give life to the writings of these composers on stage will be foreign. Not only is this a loss of visibility of women composers, but also of the interpreters of our country.
What is the first impression of the Association of Women in Music when it knows that there will be only male composers in the Ellas Crean Festival 2010? And what does the President of this association think?In general, there is no surprise among those who already knew the festival. Past editions ignored women composers, with

the sole exception of 2008, when there was a concert dedicated to current creators from Spain. We then opened a door, but it was not either in 2009 or in 2010, where it was again reversed.
For many women, myself included, it is wrong that the authorities think that as an event dedicated to women that carry the banner of equality is all great and wonderful. We believe that if it comes to value, it is just because it shows how important our job is to do things professionally and avoids trivialization precisely. Otherwise it becomes a mere use of feminism in terms of other interests.
In the beginning this festival showed classical music in general, not only in this current side, it was basically a festival of popular and commercial music. Even today putting the focus, interestingly, musical events in which the musical authorship is weak or diluted, is limited to text, or is directly male but is hidden by highlighting the singer performer. In the music business is a common practice to hide the author, composers and other performers, etc., and emphasize only the figure on stage. To prove this you just need to see the programs of concerts, which lack any information on authorship and works to be interpreted.
A deep malaise is what we feel when the Festival expands its borders and forms including classical music, hiring foreign female performers who bring well-known repertoire of male composers of the seventeenth, eighteenth and nineteenth centuries, rather than the composers of those corresponding centuries.
This issue, together with the amount of resources used on this occasion, and the folly of pretending that displayed female musical creation, is what broke the idea.
How is it possible that in an event of such magnitude, calling for equality, women composers could be forgotten ?Frankly, I think it is in part due to a profound ignorance. Which is no excuse, because when you have so many public resources, and the President of the Government of Spain, along with two ministries, presents the festival and increases accountability, both to find the right people to lead the event, as appropriate assistance. They should also had to be careful with the social and cultural impact of the activities carried out, and not just its immediate popularity and political advantage.
In Spain it is commonly understood that anyone believes that music, even without training, while in other plots, such as medicine, plumbing or computer, to give three colorful examples, would be assumed that we must resort to specialists. In the case of composers, mostly from the historical, more importantly, because they are generally unaware of his existence. But something that is unknown does not mean it does not exist.
Do you think there is any interest for this to take place?This country is under an inertia that are submerged cultural policy, which seeks to promote what commercial profitability or media and hence political, even at the cost to manipulate, steal and spoil the concept of culture. The Minister of Culture hetself continually repeated the tagline that culture is "consumed", or speaks of their "consumers." This makes it clear that the industry is concerned, not culture, the latter is acquired, transmitted, is taught or cultivated, and what should occupy a Ministry of Culture, in my opinion, is how it encourages and protects it, because otherwise existing businesses and markets, which will surely be responsible for searching for business opportunities. However it is increasingly common since the agencies supposedly devoted to the cultural are working in the wrong direction.
More than 130 people have joined her protest, is it enough?It is never enough, but despite this, the protest has been very well received among the people who are dedicated to music, and others who are not. This issue not only affects those who live on this, but it is something that affects all of society.
We seem to be sufficient given that the chain was made in a week using our mailing only, then we have not done anything to expand it, because we wanted to be sure that was an opinion shared enough. Once we had the first companies and support e-mails stopped, because the intention was to make known to the authorities involved and make them aware of our displeasure, in case they were unaware, the barbarity that is appealing to women making music without it . We choose not to send it to the press, because as an Association we just make a constructive criticism that goes directly to the bodies that have sponsored.
What responses have been achieved?At the moment only we have an answer, in my personal mail, from the Festival Director, Concha Hernandez, which I appreciate. In her letter it was apparent that she had not understood our protest, believing, among other things that we wanted was to be programmed ourselves, which obviously is not the issue. But at least, she gave us the opportunity to respond to her letter and clarify the arguments developed which is our point of view about fundament

al flaws in the approach to the Festival.
We are also still have to talk with people from the Ministry of Equality, which have sent us their concern about this issue.
On the label ELLAS CREAN in our blog, which can be found in
http://mujeresenlamusica.blogspot.com/, there is the Association's open letter, the list of accessions and my answer to the director of the Festival.